New Music Friday is here, and this week's lineup is stacked with collaborations that blend genres, push creative boundaries, and deliver pure sonic magic. From the deeply reflective storytelling of Hailey Whitters and Molly Tuttle’s "Prodigal Daughter" to the electrifying pop power of JENNIE and Doechii’s "ExtraL," there's something for every kind of music lover.

Selena Gomez, Benny Blanco, and Gracie Abrams deliver heartache on a silver platter with "Call Me When You Break Up," while Tate McRae's "Revolving Door" spins listeners through the highs and lows of an endless emotional cycle. Meanwhile, country and rock fuse effortlessly in tracks like Hannah Anders' empowering "Like A Lady" and Nate Smith and HARDY's rowdy "Nobody Likes Your Girlfriend." Whether you're looking for tearjerkers, bangers, or something in between, this week's releases promise to stay on repeat. Let’s dive in.

"Prodigal Daughter" - Hailey Whitters and Molly Tuttle

In a breathtaking collaboration, Hailey Whitters and Molly Tuttle present "Prodigal Daughter," a song that delves deep into themes of redemption, homecoming, and self-discovery. This track is a harmonious blend of two distinct artistic voices, resulting in a piece that is both timeless and profoundly moving. Whitters' inspiration for the song stems from a personal journey back to her roots and faith. She shares, "'Prodigal Daughter' represents a return to my roots, my faith, and what's important to me." This sentiment is beautifully echoed in the song's lyrics and melody, creating an atmosphere of introspection and hope.

The collaboration with Molly Tuttle adds a layer of musical brilliance that elevates the track to new heights. Tuttle's exceptional guitar work and harmonious vocals intertwine seamlessly with Whitters', creating a sonic landscape that is both rich and textured. The inclusion of renowned bluegrass musicians Bryan Sutton, Stuart Duncan, Justin Moses, and Charlie Worsham further enhances the song's authenticity and depth. "Prodigal Daughter" is more than just a song; it's a journey through sound and emotion, inviting listeners to reflect on their own paths and the universal quest for belonging.

"Call Me When You Break Up" - Selena Gomez, Benny Blanco, and Gracie Abrams

In a monumental collaboration, Selena Gomez, Benny Blanco, and Gracie Abrams unveil "Call Me When You Break Up," a track that masterfully captures the complexities of love, longing, and the bittersweet nature of relationships. This song stands as a testament to the combined genius of three of the industry's most influential artists.

Set to be featured on Gomez and Blanco's forthcoming album, I Said I Love You First, slated for release on March 21, "Call Me When You Break Up" offers a tantalizing glimpse into the duo's creative synergy. The track seamlessly blends Gomez's emotive vocal delivery with Blanco's signature production style, creating a soundscape that is both lush and intimate. Gracie Abrams' contribution adds a layer of vulnerability and depth, her delicate vocals providing a poignant counterpoint to Gomez's. The lyrical narrative explores the intricacies of unspoken feelings and the longing that accompanies unrequited love. Lines such as, "Call me when you break up, I'll be waiting on the other side," resonate with a raw honesty that is both heart-wrenching and relatable. "Call Me When You Break Up" is a masterful blend of artistry and emotion, setting the stage for what promises to be an extraordinary album release.

"ExtraL" - JENNIE and Doechii

In a groundbreaking collaboration, JENNIE and Doechii present "ExtraL," a track that boldly redefines contemporary pop music. This song is a sonic explosion of creativity, seamlessly blending genres to create a sound that is both innovative and irresistibly catchy.

From the outset, "ExtraL" commands attention with its pulsating beats and edgy production. JENNIE's dynamic vocal performance exudes confidence and charisma, while Doechii's rapid-fire delivery injects the track with an undeniable energy, solidifying "Extra L" as a bold statement of artistic evolution. The synergy between these two powerhouses is palpable, each bringing their distinct flair to a song that feels larger than life. Lyrically, "ExtraL" is all about empowerment, ambition, and refusing to shrink for anyone. It's an anthem for those who walk into every room with their head held high, unafraid to claim space. The production is sleek yet explosive, featuring pulsating synths, hard-hitting percussion, and a beat that begs to be blasted at full volume. Get ready to hear this one dominating playlists, runways, and clubs worldwide.

"Revolving Door" - Tate McRae

Tate McRae is back with "Revolving Door," a track that cuts deep with its emotionally charged lyrics and hypnotic melodies. Known for her ability to weave heartache into hauntingly beautiful pop ballads, McRae delivers yet another masterpiece that captures the complexity of love and loss.

The song paints a picture of a relationship stuck on an endless loop, the push-and-pull of emotions playing out like a never-ending cycle. McRae’s signature airy vocals glide effortlessly over a cinematic production, with pulsing beats that mirror the emotional turmoil of the lyrics. Her ability to balance vulnerability with strength is on full display, making "Revolving Door" a must-listen for anyone who's ever found themselves trapped in the uncertainty of love.

The chorus swells with anthemic intensity, making this track a standout in McRae’s already impressive catalog. "Revolving Door" is proof that she’s not just a rising star—she’s a mainstay in pop music, and this song only further solidifies her place among the greats.

"Too Much" - Dove Cameron

Dove Cameron delivers pure pop perfection with "Too Much," a track that is equal parts sultry, cinematic, and completely intoxicating. From the moment the first beat drops, Cameron commands attention with a vocal performance that is both delicate and powerful, weaving a tale of passion and obsession.

"Too Much" explores the intoxicating highs and crushing lows of infatuation, wrapped in a soundscape of moody synths, pulsating bass, and lush harmonies. Cameron’s voice drips with emotion, effortlessly pulling listeners into her world. The production is sleek and sophisticated, with a dark-pop edge that perfectly complements the song’s lyrical intensity. This track is a stunning example of Cameron’s evolution as an artist. "Too Much" is bold, hypnotic, and undeniably addictive — a testament to her ability to craft songs that linger long after the final note.

"Joke" - McMillin

Nashville’s McMillin delivers a striking commentary on the modern pursuit of validation with his latest single, “Joke.” Blending sharp lyricism with a moody, immersive soundscape, the track captures the frustration and exhaustion of striving for recognition in an era where attention is fleeting and often unrewarded. From the outset, McMillin’s signature vocal delivery pulls listeners into a space of raw introspection. His performance balances urgency with restraint, reflecting the emotional weight of the subject matter without veering into melodrama. The production is equally meticulous, layering melancholic melodies over a steady, driving rhythm that amplifies the song’s intensity.

Lyrically, “Joke” is unapologetically direct, forgoing romanticized struggle in favor of stark realism. The song dissects the pressures of an online-driven creative landscape, where the need for validation can be relentless and the silence that follows can be deafening. McMillin’s songwriting is at its sharpest here—pointed yet universally resonant, capturing a feeling many artists and creators know all too well.

Accompanied by a visually compelling music video that further explores the song’s themes, “Joke” cements McMillin’s ability to blend storytelling with sonic craftsmanship. It’s a track that lingers long after the final note, serving as both a personal catharsis and a mirror to the broader creative experience.

"Like A Lady" - Hannah Anders

Hannah Anders delivers a tour de force with "Like A Lady," a song that seamlessly blends the rebellious spirit of Southern rock with the heartfelt storytelling of classic country. From the outset, Anders' powerhouse vocals command attention, exuding both confidence and authenticity. The narrative centers on an encounter with an insecure ex-girlfriend, but rather than succumbing to negativity, Anders transforms the experience into an empowering anthem of self-worth. Lyrics such as, "A man like mine don't tolerate, a girl like you for long / He saved up his lovin' till, the right one came along," are delivered with a fiery passion that is both infectious and inspiring.

Musically, "Like A Lady" is a masterclass in blending genres. The driving guitars and robust rhythm section pay homage to Southern rock traditions, while the lyrical content and vocal delivery are steeped in country authenticity. This fusion creates a sound that is both nostalgic and refreshingly modern. Anders herself describes the track as "a fun, confident statement and a reminder to keep it classy while calling it like it is." This ethos is palpable throughout the song, making "Like A Lady" not just a listening experience but a rallying cry for empowerment and resilience.

"Dream Woman" - Suki Waterhouse

Suki Waterhouse continues her reign as the queen of dreamy, melancholic indie-pop with "Dream Woman," a track that feels like a hazy, ethereal daydream. With her signature breathy vocals and nostalgic instrumentation, Waterhouse crafts a song that transports listeners to another world—one filled with longing, romance, and wistful reflection.

"Dream Woman" is wrapped in lush, reverb-soaked guitars and delicate percussion, creating a sound that feels both vintage and fresh. The lyrics tell a story of desire and distance, of being both adored and unattainable. Waterhouse’s ability to evoke emotion with just the slightest shift in her voice is nothing short of mesmerizing. This track is another jewel in Waterhouse’s growing discography, proving that she has a unique gift for crafting music that feels intimate yet expansive. "Dream Woman" is the kind of song that lingers in your mind like a beautiful memory — impossible to forget.

"Nobody Likes Your Girlfriend" - Nate Smith, HARDY

Country’s newest powerhouse duo, Nate Smith and HARDY, bring the heat with "Nobody Likes Your Girlfriend," a track that is equal parts rowdy, rebellious, and undeniably fun. The song’s infectious energy, gritty guitars, and tongue-in-cheek lyrics make it an instant anthem for anyone who's ever had to deal with a less-than-welcome plus-one in their friend group.

Smith and HARDY are a match made in honky-tonk heaven, their voices blending seamlessly over the song’s high-octane production. The track is brimming with personality, packed with clever wordplay and a chorus that begs to be shouted at the top of your lungs.

This song has all the makings of a country radio smash, with its relatable theme and undeniable hook. "Nobody Likes Your Girlfriend" is proof that when Smith and HARDY team up, magic happens.

"all i forgot" (feat. Joe Jonas) - Ashley Cooke

Ashley Cooke and Joe Jonas deliver a heartbreaking yet undeniably beautiful duet with "all i forgot." This emotionally charged ballad tells the story of a love lost, with both artists trading verses filled with longing, regret, and the kind of memories that refuse to fade.

Cooke’s warm, honeyed vocals blend effortlessly with Jonas’ smooth, soulful delivery, creating a song that feels intimate and deeply personal. The production is stripped back just enough to let the emotion shine, with delicate piano melodies and swelling strings underscoring the pain in their voices. Produced by the all-star duo Joey Moi and Charlie Puth, "all i forgot" is as much a masterclass in songwriting as it is in performance. Cooke and Jonas deliver every lyric with aching sincerity, making it impossible not to feel every word. This song is the definition of a tearjerker, and it’s sure to resonate with anyone who has ever wished they could erase a heartbreak.

Neon (Unplugged) - Randall King

Randall King takes us straight to the heart of Texas with Neon (Unplugged), a stripped-back version of his fan-favorite songs that showcase his rich vocals and pure country soul. King’s voice shines in this acoustic setting, proving that sometimes, less is more. The warm twang of the guitar, the subtle cry of the dobro, and the raw emotion in his delivery make this version feel even more intimate and heartfelt than the original. "Country is equal parts two-stepping in a honky-tonk and sitting around a fire singing your heart out," King explains, and this song perfectly captures that sentiment. There’s a quiet beauty in the simplicity of this arrangement, making Neon (Unplugged) an absolute must-listen for fans of real, honest country music.

"Miles Don’t Matter" - Jordana Bryant

Jordana Bryant proves she’s one of country’s brightest rising stars with "Miles Don’t Matter," a song that perfectly captures the feeling of a love that defies distance. With a voice full of warmth and sincerity, Bryant delivers lyrics that will hit home for anyone who’s ever been in a long-distance relationship. The melody is instantly memorable, and the production is fresh yet rooted in country tradition, striking the perfect balance between modern and timeless. Bryant sings, and she delivers every line with such conviction that you can’t help but believe her. "Miles Don’t Matter" is uplifting, heartfelt, and undeniably catchy — a song that proves Bryant is on her way to becoming a country music mainstay.