
New Music Friday is back with a fresh batch of releases! From anthems to ballads – perfect for shaping your weekend playlist.
It’s that time again! New Music Friday is back and loaded with fresh releases across every corner of the music world. From stadium-ready anthems to tear-in-your-beer ballads, this week’s lineup reminds us why Fridays just hit different. Whether you’re falling in love, getting over it, or just cruising with the windows down, these are the songs shaping your weekend soundtrack.
Charlie Puth kicks off a new chapter with “Changes,” the first taste of his upcoming album Whatever’s Clever! (out March 6, 2026). The track radiates warmth and hope, blending Puth’s signature piano melodies with a soaring, sing-out-loud chorus. Lyrically, it’s a gentle reminder to embrace growth, even when it feels uncomfortable – a message that lands perfectly in his effortlessly polished pop world. It’s bright, relatable, and pure Puth perfection.
With his long-awaited fourth studio album Tycoon, Ty Dolla $ign steps into a confident new era. The project is sleek, self-assured, and full of hypnotic production, balancing trap drums with smooth R&B textures. Featuring collaborations with Kodak Black, YG, and Tory Lanez, the record shows Ty’s range as both a hitmaker and a storyteller. It’s a soundtrack for late nights, fast cars, and knowing exactly who you are.
Morgan Wallen reimagines Nothing But Thieves’ rock classic “Graveyard Whistling” with a country twist that’s equal parts haunting and heartfelt. Originally recorded during his Abbey Road Sessions, this stripped-down version highlights Wallen’s raw vocal emotion and storytelling instincts. The sparse instrumentation and aching delivery give it a cinematic edge, proving once again why he’s one of country’s most dynamic voices.
Cooper Alan doubles down on his signature sound with “Roots” and “BOS,” two new releases from his debut album Winston-Salem (arriving November 7). “Roots” channels ‘90s country nostalgia — all heart and small-town soul — while “BOS” brings the barn-burning energy of a live show. Together, they showcase Alan’s range: one part grounded storyteller, one part unapologetic entertainer.
Chancey Williams rides tall into release day with his new album Miles On Me, a record built on real stories and rodeo roots. A former bronc rider turned artist, Williams brings authenticity to every lyric, reminding fans that he’s truly lived the life he sings about. The album’s highlight, “Past the Point of Rescue,” shines both sonically and visually, thanks to its cinematic new video.
Romantic and effortlessly charming, Ashley Ryan’s “More of You” captures the dizzying rush of falling for someone new. Her vocals float over breezy guitars and warm percussion, balancing playful flirtation with heartfelt sincerity. The song’s vivid imagery — from kitchen slow dances to moonlit drives — makes it feel like a love story in motion.
Andrea Vasquez continues to carve her own lane with El Camino, a fearless six-track EP that celebrates her Latin roots and country storytelling. The project brims with confidence and emotion, exploring love, independence, and resilience through clever lyrics and vibrant production. Vasquez blends traditional sounds with a fiery edge, proving her identity is both her compass and her power.
Grounded in faith, love, and family, Adam Doleac’s Dream House feels like the musical version of home. Written after major life milestones, the album captures the joy of settling down while still chasing big dreams. It’s introspective without losing its shine, full of heartfelt melodies and lyrics that hit close to the chest.
Ashley Cooke embraces vulnerability and introspection on her dual release “tin foil hat.” The original version radiates pop-country polish, while the “panic attack version” strips the song down to something raw and cathartic. It’s a clever and poignant take on overthinking and self-doubt and proof that Cooke knows how to turn emotion into connection.
Baylee Lynn delivers maturity far beyond her years with “That’s What I’ll Be,” featured on the Nobody Wants This: Season 2 soundtrack. The ballad’s message of strength and reassurance lands with heart and honesty, showcasing her powerhouse vocals and storyteller’s soul. It’s cinematic country-pop at its best — emotional, melodic, and endlessly replayable.
Leon Majcen captures the essence of a life well-lived on Making a Livin’ (Not a Killin’). With his roots in folk and Americana, the Florida-raised songwriter brings grit and grace to every verse. It’s a collection built on experience — long nights, open highways, and hard-earned wisdom — that feels both timeless and deeply personal.
Turning up the volume, Bottomland return with “Hot Shottin’,” a gritty southern-rock banger with bluesy undertones and a rebellious heart. Fueled by swagger and growling guitars, it’s the perfect mix of attitude and authenticity. The duo channels the wild spirit of the outlaw era while giving it a fresh, modern edge.
Peech. bares his soul on “10 Years,” an introspective track chronicling a decade of growth, loss, and healing. The production is lush yet intimate, wrapping around his reflective lyrics like a cinematic score. Vulnerable but powerful, it’s the kind of song that lingers long after the final note.
Ashland Craft delivers both sass and substance in her new video for “Kick Rocks Cowboy.” The high-energy visual, featuring Orry “Cornbread Cowboi” Lee, Logan Crosby, and Chancey Williams, tips its hat to true cowboy culture while calling out the pretenders. Equal parts humor and empowerment, it’s a clever celebration of authenticity — southern style.
Heartbreak gets a fresh twist in Ella Langley’s “Choosin’ Texas.” Instead of another woman, the rival is an entire state — the place her lover can’t let go of. Langley’s delivery is both tender and defiant, combining modern lyricism with a timeless country sensibility. It’s a song that proves why she’s one of Nashville’s most compelling new storytellers.
5 Seconds of Summer are back and better than ever with “Boyband,” the latest single from their upcoming album (out November 14 via Republic Records). The track fuses nostalgic pop-punk energy with introspective lyrics, reflecting on fame, friendship, and growth. It’s loud, self-aware, and impossibly catchy — the kind of comeback only 5SOS could pull off.
Photo Credit: Charlie Puth PR
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